觀物 • 取象:蔡尉成個展
文/張正霖
蔡尉成的藝術是追求自由的,同時來自於他深厚的藝術創造和積蘊。自我、藝術與環境,在蔡尉成的創作中,充滿韻律的相互融合,構成細膩且粹煉的整體。島嶼造像、茲土有情,本次蔡尉成發表的全新創作《風雲系列》,根源於生活與自然,從而飽滿著存在的溫度,讓作品成為引人凝視的生命力的載體。藝術屬於生命,物質與詩意交響,更形塑了他在臺灣雕塑藝術中獨特的地位和表現力,讓人深深觸動。
以「觀物 • 取象」為核心,呼應的正是蔡尉成深刻的藝術特質。他在觀察、撫觸世界之間,將心靈中的聲音,轉化成為風采獨具的造型,直指著藝術創造與生命體悟相互連結的審美意境。蔡尉成就像是聆聽心籟的藝術行者,敏於思辨的創造出極具個性的創作系譜,韻味悠長且飽涵意象。風與雲,外境與內心,變化與創造,蔡尉成在堅定的藝術探索與錘鍊裡,打開了根基於真實生命、淋漓盡致的感動。在一種深邃、洞察的幽默中,蔡尉成的藝術正在散發出無可替代的魅力。
一萬年Ten Thousand Years
2020|青銅 Bronze
50x56x102 cm
有神 The Existence of God
2020|青銅
40x46x90 cm
From World to Aesthetic Imagery: Solo Exhibition by TSAI Wei-Cheng
Article by Chang Cheng-Lin
Centered around the theme "From World to Aesthetic Imagery," the exhibition is a manifestation of the unique artistic characteristics of Tsai Wei-Cheng. By observing and experiencing the world, Tsai transforms his inner voice into spectacular style that incite artistic creativity and insight into life. Tsai is like an art practitioner who listens intently to the music of the soul and is an expert at shaping unique creative genealogies that are conceived by critical thinking, rich with profound connotations and meaning. The landscape of the outer and inner world, changes and creativity, are all doors to the essence of life and the depths of the sentiments in Tsai's determined artistic explorations. Through humor permeated with depth and vision, Tsai's art emits a charming and moving quality that is irreplaceable.